91.7 WPCR Plymouth

The only station that matters.

Come out and play!

Ever wonder what its like to work for a radio station? Well wonder no more! Wpcr is looking for some students to come and join our programming team, promotions team, and a couple of genre directors! If think you have what it takes come to our next general board meeting Wenesday November 7th! In memorial room 103! Paul

Welcome Back! Time to Rock and Roll!

Welcome back to all of you returning PSU students. I hope everyone’s first couple weeks have been going well! To the freshmen reading this – congratulations, as you have just found yourself the friendliest, most rambunctious, and all around coolest club on campus! Unlike others, we eat pizza with style and we play music with finesse! So don’t hesitate, come join us and be a part of WPCR! We will train you on the boards and before you know it, you’ll be the next John Peel! Questions? Stop by the activities fair today (9/9/15) at 4pm and we’ll be more than happy to talk with you! Our first meeting will be tonight at 9pm in Memorial 103. I hope to see you there! Let’s make it a semester at WPCR that will go down in legend!

The New Crew!

Congrats to everyone who has procured a position on the exec. board of the coolest club on campus!

For those who don’t know, elections were held last Wednesday and the results were as follows:

General Manager: Nick Einstman

Assistant General Manager: Joshua Butler

Music Director: Tristan Sherrell

Art Director: Jack Swymer

Training: Eric Halin

Production/Programming: Kyle Rainville

Promotions: Brianna Coykendall

Once again, congrats to all! – Let’s make next year an unforgettable one!

Albums of Love!

In the spectrum of popular music, love has always been a major theme. As Valentine’s Day has once again come and gone, it’s the perfect time for a list! In no particular order, here are five great albums that center around the theme of love.

John Coltrane and Johnny Hartman – John Coltrane and Johnny Hartman


What better to start off the list than this wondrous jazz album, often forgotten in the wake of Coltrane’s many other gems throughout his discography. Hartman was the only vocalist with whom the saxophonist would record as a lead and as proven here, Coltrane’s judgment was impeccable. Touching, tender, and smooth, this album will be sure to set the atmosphere for a romantic dinner or a reminder of love that once was on your loneliest nights.


Portishead – Dummy


This 1994 trip-hop album was quite the game changer. While Massive Attack’s original trip-hop manifesto, Blue Lines, was grounded upon a somewhat minimalist approach to samples combined with break-beats, this album goes all out in an effort to embellish the sound with a tangible sadness, turgid with singer Beth Gibbons’ longing for love and reprieve. Combining an eclectic mixture of samples from obscure records and movie soundtracks, the vinyl crackle present even on the compact disc copies will guide your ethereal listening experience…


The Magnetic Fields – 69 Love Songs


No list of this type could do without this album. Possibly Stephen Merritt’s magnum opus, this triple album gives you the run-down right from the get go. Consisting of 69 songs, this indie pop album takes a multitude of approaches to describing love in all of its various forms. I tip my hat to you if you can listen to it all in one sitting.


Basement Jaxx – Rooty


The second album from British electronic dance duo, Basement Jaxx, is a wonderfully flavorful exploit in pop melody and although the rhythms can occasionally seem anodyne in their accessibility, their infectiousness is undeniable. Sometimes sexual, other times caring, always emotional, Basement Jaxx knows how to make you groove on the dance floor.


Liz Phair – Exile In Guyville


Not only one of the greatest solo debuts in indie-rock history, but also a cathartic expulsion of pent up female emotion. Phair details some of the most memorable stories and escapades set to some of the most satisfying of pop melodies. Girls will love her for her brashness and guys will love her for everything else.

So what are some of your favorite love-ridden/love-stricken albums? Let me know your thoughts in the comment sections!

First Meeting Coming Up!

Hello all!

WPCR will be holding its first meeting of the semester this coming Wednesday (February 4th) at 9pm in Memorial, room 103. For all those music obsessives out there, you have found your niche. So come and join us – come and see what it’s all about! If you find that you’re interested, we will train you to be a DJ and you can have your own show! It is also likely that we’ll have pizza at the meeting (that’s how we hook you…). So what have you got to lose? Hope to see you there!

What Makes A Classic Album ‘Classic’?

The mythical and peerless ‘classic’ album is a term many people attribute to albums that had an impact that is still felt today, but impact can’t be the only quality that defines a ‘classic’ album, can it? Another popular term is ‘overlooked classic’. While it is possible to classify this term as a contradiction if one places a high value upon mainstream impact and cultural staying power, there are certainly many brilliant records that exist upon a golden pedestal exclusively for the obsessive and adventurous listeners; to put it more blatantly, many a great album has been released under the mainstream radar.

If we subscribe to the idea that a classic is not defined by how well known it is, the possibilities of classics are increased dramatically within each respective genre. There have been plenty of albums that received widespread critical acclaim and high sales; take for example Michael Jackson’s ‘Thriller’, an album that has not only remained commercially successful throughout the years, but has also cemented itself (and the artist) as a household name for a long time into the foreseeable future. Many albums by artists such as The Beatles, Led Zeppelin, Pink Floyd, Bob Dylan, The Who, and The Doors have had the same effect. It is likely that no one would argue against the fact that many works from the aforementioned artists are classics, but their popularity is not necessarily what makes them classics.

For example, take Massive Attack’s debut album, ‘Blue Lines’. While the album itself was critically well-received, the highest chart position any of the singles managed to garner was 13. Oddly enough, at the time of the album’s release, there wasn’t anything else like it. With the combination of hip-hop break beats, sampling, rapping, soul hooks, and dub grooves, ‘Blue Lines’ pioneered the genre later to be tagged as “trip-hop”. As time has passed and the genre has grown and developed, many look back on the album as an overlooked classic; the likely cause of this revisionism being influence.

But still, a classic album influence alone does not make. The genre of hip-hop is one of the most confusing realms of ‘classics’ that exist. The largest problem with hip-hop and classifying particular hip-hop albums as classic is the rapid growth, progression, and development of the genre. With the steady growth of technology, hip-hop production techniques have changed dramatically and it’s quite easy to hear some of those older records and immediately think “outdated”, but at the same time one can listen to those records and hear many of the pieces of later hip-hop albums. Wasn’t it those albums that laid the foundation for all hip-hop to come? Would Jay-Z have been as successful (or successful at all) if Big Daddy Kane didn’t exist? Would Kanye have made the same chipmunk-soul beats on his early records if RZA never produced “For Heaven’s Sake”? Would Nas have released the ‘Illmatic’ that we know if Rakim didn’t pioneer internal rhymes on ‘Paid in Full’? Did Kool Keith influence MF Doom to eventually take on multiple personas? Would groups like TDE or the A$AP Mob exist without Geto Boys and N.W.A.? All of this is hard to ascertain, but one thing is certain: those older hip-hop albums played an incredibly large role in the progression of said genre. Still, it is unlikely that influence alone can determine a classic. Aesop Rock’s ‘Labor Days’ has found wide praise among fans of alternative hip-hop but its influence within the genre as a whole is markedly miniscule. Could the album still be noted as a classic despite its lack of influence?

What about rock music? As rock has been around for quite a while, its pool of classics are well in place; does rock music still have artists that drop classic albums? Throughout the decades, certainly every original idea that involves a guitar, a drum kit, a bass, and amps has been done hundreds of times over? Perhaps this is true, but that hasn’t stopped the genre’s continued success. Respected artists and groups throughout the years have never been shy in “borrowing” an idea or two from other artists; as Oscar Wilde said, “Talent borrows, genius steals.” On Nirvana’s “Come As You Are”, one can hear a slowed-down version of a riff from Killing Joke’s “Eighties”, released about six years prior. On Green Day’s “Warning”, the featured riff is a near replication of the one featured in The Kinks’ “Picture Book”. Oasis was a band that was never shy about their borrowing habits: take for example their single “Cigarettes & Alcohol” and compare it to T-Rex’s “Get It On”. Even The Smiths borrowed ideas occasionally as exemplified in the similarities between their song “Rusholme Ruffians” and the very similar rhythm in Elvis Presley’s “(Marie’s The Name) His Latest Flame”.  Do these songs and their possible derivativeness lessen the credit of the aforementioned artists? Not at all; despite similar ideas, songs (completely original or not) are all about execution. Even if an idea isn’t all original, it can still be impactful depending on the foundation of execution. As a result, one can find an “agreed-consensus” classic in the rock universe. Recently a few not-widely-disputed rock classics have been released such as The Strokes’ ‘Is This It’, Arcade Fire’s ‘Funeral’, and The National’s ‘Boxer’. All of these albums borrow elements from older works but yet they still resonate with people.

So then what is a classic? Perhaps a classic doesn’t need to contain any of the qualities I described. Perhaps a classic is undefinable. More than likely, every genre has different fans who would likely call some albums classic because of their bias (and perhaps knowledge) pertaining to the genre of that album. Different fans appreciate different qualities. To continue the hip-hop example: some hip-hop fans value lyrics/technique highly so they may appreciate an album by Chino XL more than a hip-hop fan who places high value upon beats and creative production. Are there definite qualities that characterize a ‘classic’ album? If so, do those qualities vary greatly between genres? Let me know what you guys think!

A new semester means some new shows

Thats right folks we are back and kicking all sorts of things…one of those things are getting a bunch of new shows! thats right folks we have basically filled up the night time shows so get ready for some awesome shows with some colorful people!

Our First Meeting Is Soon!

Hey everyone!

Our first planned meeting is scheduled for 9 p.m. on Wednesday, September 10th in Memorial 103. If you’ve just started college this year and have always wanted to have your own radio show or even if you’re a Senior, but have always had other obligations, now is the time to get trained out and get DJ’ing!

The Boys Are Back In Town


The boys are back! From Macrock and by god they are fired up keep an eye out for interviews and other goodies!

Want to become a DJ?


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